La naturaleza de un hecho es la ironía (The nature of a fact is the irony), 2014
The artwork is composed of several mirrors arranged in a tableau recreating a luxurious decorated style. The proposal seeks to create in the viewer a reflection on the different realities exposed in the short story “Continuity of the parks”.
The artwork has two reading levels, first, at a distance, it appears as an object of a sumptuous interior, inspired by the imagery of luxury and noble materials. In a second reading, approaching the object, the viewer notices that the mirrors have been made with a pastry bag in construction materials.
In this sense, the work refers to the system of Chinese boxes presenting the story, in which it is possible to identify three levels of reality: the reader, the character reading the story and the reality in which the novel takes place that the character in the story reads.
Luciana Rondolini (Buenos Aires, 1976) studied visual arts at the National Institute of Arts (IUNA), also she studied with Hernán Marina, Fabián Burgos, Carlos Huffman and Elsa Soibelman. She participated in the Anti-Project Workshop in 2011, Universidad Torcuato Di Tella. She was chosen in thePetrobrasAwardin 2012 and won the Prize for artwork by FundaciónArteba, in 2013.