In the Contemporary Space, Argentine artists living in Berlin Dolores Zinny and Juan Maidagán will display architectural installations that have already been shown at the Museum fur Moderne Kunst in Frankfurt.

Upcoming Exhibition: More information

Mirtha Dermisache´s Editions

Libro N° 8, 1970/2003. Offset print on paper. 28×23.5 cm. Signed and numbered limited edition: $ 190.-; unsigned edition: $70.-

Lectura pública, 2005. Offset print on paper. 59×84 cm. $50.-

Lectura pública N° 3, 2006. Offset print on paper. 59.5×72.5 cm.59.5×72.5 cm. $50.-

10 Cartas, 1970/2009. Offset print on paper. 28 x 23 cm. Signed and numbered limited edition: $380.-; unsigned edition: $100.-

Diario N° 1, Año 1, 1972/1995. Offset print on paper. 47.5×36.5 cm. Signed edition: $190.-; unsigned edition: $100.-

Inés Drangosch´s Editions

Mapas de poesía (text: “Burning in water, drawning in flame”, by Charles Bukowski; “Poesía vertical”, by Roberto Juarroz, y “Una temporada en el infierno”, by Arthur Rimbaud). Print on paper. 44×62 cm. 

Signed and numbered limited edition: $150.- 

. . Wednesday 13
. 11:00 a 19:00 hs “Lindero”. Curator Ana Gallardo. Artists Interventions: María Inés Drangosch, Daniel Joglar, Fernanda Laguna, Mariela Scafati, Marcela Sinclair e Ismael Pinkler. Library & Proa Cafe. Fore more information about the exhibition, click here
Proa Library. To learn more about the Library, click here

Café Proa. Information & reservations: cafeteria@proa.org / 4104-1003

. . Thursday 14
. 11:00 a 19:00 hs “Lindero”. Curator Ana Gallardo. Artists Interventions: María Inés Drangosch, Daniel Joglar, Fernanda Laguna, Mariela Scafati, Marcela Sinclair e Ismael Pinkler. Library & Proa Cafe. Fore more information about the exhibition, click here
Proa Library. To learn more about the Library, click here

Café Proa. Information & reservations: cafeteria@proa.org / 4104-1003

. . Friday 15
. 11:00 a 19:00 hs “Lindero”. Curator Ana Gallardo. Artists Interventions: María Inés Drangosch, Daniel Joglar, Fernanda Laguna, Mariela Scafati, Marcela Sinclair e Ismael Pinkler. Library & Proa Cafe. Fore more information about the exhibition, click here
Proa Library. To learn more about the Library, click here

Café Proa. Information & reservations: cafeteria@proa.org / 4104-1003

. . Saturday 16
. 11:00 a 19:00 hs “Lindero”. Curator Ana Gallardo. Artists Interventions: María Inés Drangosch, Daniel Joglar, Fernanda Laguna, Mariela Scafati, Marcela Sinclair e Ismael Pinkler. Library & Proa Cafe. Fore more information about the exhibition, click here
Proa Library. To learn more about the Library, click here

Café Proa. Information & reservations: cafeteria@proa.org / 4104-1003

. . Sunday 17 . 11:00 a 19:00 hs “Lindero”. Curator Ana Gallardo. Artists Interventions: María Inés Drangosch, Daniel Joglar, Fernanda Laguna, Mariela Scafati, Marcela Sinclair e Ismael Pinkler. Library & Proa Cafe. Fore more information about the exhibition, click here
Proa Library. To learn more about the Library, click here Café Proa. Information & reservations: cafeteria@proa.org / 4104-1003 . . Monday 18 Cerrado
Tuesday 19 . 11:00 a 19:00 hs Proa Library. To learn more about the Library, click here Café Proa. Information & reservations: cafeteria@proa.org / 4104-1003 Wednesday 20
. 11:00 a 19:00 hs Proa Library. To learn more about the Library, click here Café Proa. Information & reservations: cafeteria@proa.org / 4104-1003 Thursday 21
. 11:00 a 19:00 hs Proa Library. To learn more about the Library, click here Café Proa. Information & reservations: cafeteria@proa.org / 4104-1003 Friday 22
. 11:00 a 19:00 hs Proa Library. To learn more about the Library, click here Café Proa. Information & reservations: cafeteria@proa.org / 4104-1003 . . ___________________________________________________ . . Saturday 23 - Openings ___________________________________________________
. . 18:00 hs. “Art in the Auditorium”. A broad spectrum on contemporary video art production. The selected artists are: Patrizio Di Massimo (GAMeC), Inci Eviner (Istanbul Modern), Lars Laumann (Henie Onstad Kunstsenter), Ursula Mayer (Whitechapel Gallery), Nova Paul (City Gallery), Aïda Ruilova (Ballroom Marfa) y Charly Nijensohn (Fundación Proa).

Luisa Rabbia y Alejandra Seeber. Videos and instalations. Room 3

“Poema 20″. Alejandro Cesarco and Jorge Méndez Blake. Curator: Florencia Malbrán. Room 4.

“Resonancias”. Interventions & Site Specific. Artists: Mirtha Dermisache, Alejandro Cesarco, Elba Bairon, Esteban Pastorino and Alejandra Seeber. Curators: Cintia Mezza and Olga Martínez. . . 19:00 hs. Auditorium. Cinema. Premiere “Copacabana”, documentary of Martín Rejtman.
More information / Reservations: auditorio@proa.org
. . Sunday 24
. 11:00 a 19:00 hs. “Art in the Auditorium”

Luisa Rabbia & Alejandra Seeber

“Poema 20″ “Resonancias” . . Monday 25 Cerrado
Tuesday 26
. 11:00 a 19:00 hs. “Art in the Auditorium”

Luisa Rabbia & Alejandra Seeber

“Poema 20″ “Resonancias” . . Wednesday 27
. 11:00 a 19:00 hs. “Art in the Auditorium”

Luisa Rabbia & Alejandra Seeber

“Poema 20″ “Resonancias” . . Thursday 28
. 11:00 a 19:00 hs. “Art in the Auditorium”

Luisa Rabbia & Alejandra Seeber

“Poema 20″ “Resonancias” . . Friday 29
. 11:00 a 19:00 hs. “Art in the Auditorium”

Luisa Rabbia & Alejandra Seeber

“Poema 20″ “Resonancias” . . Saturday 30
. 11:00 a 19:00 hs. “Art in the Auditorium”

Luisa Rabbia & Alejandra Seeber

“Poema 20″ “Resonancias” . . Sunday 31
. 11:00 a 19:00 hs. “Art in the Auditorium”

Luisa Rabbia & Alejandra Seeber

“Poema 20″ “Resonancias” . . ]]> http://proa.org/eng/news/2010/01/day-by-day-activities-january-2010/feed/ http://proa.org/eng/news/2010/01/art-video-instalations-interventions-cinema-summer-2010-in-proa/ http://proa.org/eng/news/2010/01/art-video-instalations-interventions-cinema-summer-2010-in-proa/#comments Tue, 05 Jan 2010 21:48:42 +0000 proa08 http://proa.org/eng/news/?p=607 Fundación PROA presents international contemporary video event ‘Art in the Auditorium’ along with a series of installations and interventions. This second part of ‘Art in the Auditorium’ involves six other institutions and the works of Lars Laumann (Norway), Inci Eviner (Turkey), Ursula Mayer (United Kingdom), Patrizio Di Massimo (Italy), Aïda Ruilova (United States) and Nova Paul (New Zealand).

The artists were nominated by the partner institutions Withechapel Gallery of London, GAMeC of Bergamo, Kunstsenter of Oslo, Istanbul Modern and City Gallery Wellington. PROA nominated the Argentine artist Charly Nijensohn’s Dead Forest (Storm), 2009.

PROA also presents a series of site-specific interventions from Argentine and international artists: Luisa Rabbia (Italian artist living in New York) shows her video Travels with Isabella: Travell Scrapbooks 1883-2008, 2009, besides the installation The following day, no one died, 2009.

Alejandra Seeber (Argentine residing in New York) exhibits her wallpapers and exceptional glass bubbles. Moreover, Mirtha Dermisache, Elba Bairon and Esteban Pastorino´s works will be shown with the coordination of Cintia Mezza and Olga Martínez.

Curator Florencia Malbrán presents Alejandro Cesarco´s Marguerite Duras´ India Song, 2006 and Jorge Méndez Blake´s recent works.

In addition, Fundación PROA screens Martín Rejtman´s first documentary film, Copacabana.

The ceremony took place on November 30th at the Latin American Art Museum (MALBA) with an auditorium crowded by spectators and artists who enjoyed the ceremony and the closing cocktail. Adriana Rosenberg, Director of Fundacion Proa, was there to receive the prize.

It is an honor for us, to receive this distinction, which was the product of the work, which  began from the will of the collector Jorge Helft, Project Leader; Elena Filipovic, curator of the exhibition; Cintia Mezza, general coordinator and the assistants Iara Freiberg and Debbie Grimberg, among other partners, all who choose the work of this important artist to inaugurate Fundación PROA´s new building.

The AACA is a nonprofit organization that meets annually to recognize the merit of artists, curators and other local cultural and artistic institutions.
In previous years, PROA has received awards for the following exhibitions: In 2000, “Lucio Fontana”. In 2001, the prize was for “Sol Lewitt”. In 2002, “Hijos del viento. Arte de los pueblos del sur siglo XIX. In 2003, “Arte abstracto argentino”. 2004, Alighiero Boetti and in 2005, to the “Colección Rufino Tamayo”.

Copyright: Mikhail Lemkhin

In order to estimulate the publication of foreign literary works in the United States, The Susan Sontag Foundation established an award presented annually to translators under the age of thirty. The original language evaluated changes every year. This time, the chosen language was Spanish. The jury evaluated the submissions of fifty candidates and the three finalist proposals where for Argentine authors: Sergio Chejfec, Silvina Ocampo and Juan José Saer. Finally, the prize was given to the translator Roanne Sharp and her version of La Mayor, by Juan José Saer.

The TyPA foundation, that has been workingfor more than seven years in order to make Argentine literature known throughout the world, was put in charge of the presentation of the award in Argentina in conjunction with the Sontag Foundation. The event will consist of three round tables (dedicated to Saer and to Sontag, respectively, and the current state of translation between English and Spanish) and the award ceremony.

As everyone knows, the publication of quality translation to English from foreign languages is very dificult and, at the same time, indespensable. Both foundations hope to join forces to promote this exchange and achieve the greatest possible circulation.

To register for the conference, write to: letras@typa.org.ar

More information available at:  www.typa.org.ar

TRANSLATION AS A METHOD OF LITERARY CIRCULATION
Susan Sontag Award Conference
November 5th and 6th, 2009
PROA Foundation Auditorium

CONFERENCE SCHEDULE

•    THURSDAY NOVEMBER 5TH

15 a 15:15 hs
Opening

15:15 a 17:30 hs
Round Table: Can Juan José Saer be translated?
Speakers: Roanne Sharp, Miguel Dalmaroni, Alberto Díaz, María Teresa Gramuglio, David Oubiña.
Coordinator: Raquel Garzón

17:30 a 18 hs
Break – coffee

18:00 a 19:20hs
Screening: Portrait of Juan José Saer (80´/Argentina/1996).
Script and Direction: Rafael Filippelli.

•    FRIDAY NOVEMBER 6TH

15 a 17 hs
Round Table: Translation as a connection: a look at the state of translation between Spanish and English
Speakers: David Rieff, Gabriela Adamo, Marietta Gargatagli, Anna Kazumi Stahl
Coordinator: Ezequiel Martínez

17 a 17:30hs
Break – coffee

17:30 a 19:00hs
Round Table: About Susan Sontag
Speakers:  Anne Jump, Edgardo Cozarinsky, Graciela Speranza
Coordinator: Verónica Chiaravalli

19:00hs
Award Presentation

SUSAN SONTAG TRANSLATION PRIZE
2009

Prize Winner

Roanne Sharp
For her translation of La Mayor, by Juan José Saer (Argentina).

Roanne Sharp earned a BA in Comparative Literature from UCLA in 2008 with a focus in English and Spanish post-colonial literature. Roanne has worked extensively in rural communities in Latin America with the assistance of the Houston-based non-profit organization Amigos de las Américas. She is the recipient of UCLA’s prestigious Peter Rotter Prize for an essay exploring multiple translations of Pablo Neruda’s Walking Around. In addition, she spent a semester at the University of Delhi where she studied English translations of Hindu devotional poetry. She is currently enrolled in the PhD program in Comparative Literature at The University of Texas at Austin.

Honorable Mentions

Rosemary Peele
For her translation of Viaje olvidado y Autobiografía de Irene by Silvina Ocampo (Argentina).
Emily Toder
For her translation of Tres poemas y una merced (o cuatro poemas desplazados) by Sergio Chejfec (Argentina).

Selection Comitee

Wendy Gimbel 
Alma Guillermoprieto
, Aurelio Major
, David Rieff
, Ninón Lavernia Rodríguez
, Judith Thurman

THE AWARD-WINNING WORK

JUAN JOSÉ SAER (Argentina)
La Mayor (1976)

The breif stories that compose this work can be attributed to what is called “the objective narration”, of which Robbe Frillet was the first mentor and of whom Saer was a great follower. Memory, chance and the impossibility of returning from exile (of being a stranger at home), are some of the recurring themes that populate the stories of La Mayor, where already present are Tomatis and Pinchôn Garay, two of the characters that will not leave Saer in any of his further tales.

BREIF BIOGRAPHY OF THE AUTHOR

Juan José Saer was born in Serodino, Provence of Santa Fe, Argentina on June 28, 1937. He was a professor at the National Literary University where he taught film history and criticism and film esthetic. In 1968 he moved to Paris, where he was exiled for political reasons. There he spent the last thirty years of his life. His vast narrative work, considered one of the most significant of contemporary argentine literature, is made up of four books of stories-–En la zona (1960), Palo y hueso (1965), Unidad de lugar (1967), La mayor (1976)– and ten novels: Responso (1964), La vuelta completa (1966), Cicatrices (1969), El limonero real (1974), Nadie nada nunca (1980), El entenado (1983), Glosa (1985), La ocasión (1986, Premio Nadal), Lo imborrable (1992) and La pesquisa (1994). In 1983, he published Narraciones, an anthology in two volumes that brought his stories together. In 1986 Juan José Saer por Juan José Saer, a selection of texts accompanied by a study by María Teresa Gramuglio, and in 1988, Para una literatura sin atributos, with articles and conferences that were published in France. In 1991, the essay El río sin orillas received great critical support, the same as El concepto de ficción, which he presented in 1997. His original poetic work is gathered in El arte de narrar (1977), in which the author explains his goal to “combine poetry and narration”. When he died on June 11, 2005, he left his final novel, La grande, unfinished.

THE SUSAN SONTAG FOUNDATION

In the spirit of Susan Sontag’s lifetime commitment to young artistic voices, the Susan Sontag Foundation honors talented emerging artists in a variety of disciplines and promotes the international exchange of language and culture.

SUSAN SONTAG PRIZE FOR TRANSLATION

Susan Sontag devoted a great part of her life to championing the English translation and publication of heretofore un-translated works of both classic and contemporary world literature. Whether she was cajoling publishers to take on writers famous in their own country but relatively unknown or forgotten in the English-speaking world – writers such as Robert Walser, W. G. Sebald, Anna Banti, or Victor Serge – or by writing her own essays about their work, Susan Sontag was indefatigable in her enthusiasm and commitment to what she once called “literature as an international system.” That is, globalization and multiculturalism in the truest and most humane sense of those terms.

In Susan Sontag’s honor, the Susan Sontag Prize for Translation was established to continue that work. This prize is awarded annually to a literary translator under the age of 30 for a translation project of his or her own design. An evaluation panel comprised of noteworthy translators, writers and Foundation members determines the prizewinner each year. Following announcement of the Prize, the Foundation will “employ” this fledgling writer over a four-month period of time, oversee the completion of their project, and encourage the writer’s curiosity and skill in the field of literary translation. Most translation prizes, including grants from the National Endowment for the Arts, are awarded to established writers whose works have already been published. In contrast, the Susan Sontag Foundation seeks to encourage rising talents who will directly benefit from exposure to a broader literary sphere that might otherwise be unreachable for them at such an early juncture in their careers.

Furthermore, with this Prize for Translation, the Susan Sontag Foundation seeks to raise the overall stature of literary translation in America. Across the country, very few universities focus on or teach translation, particularly at the undergraduate level. According to a recent study by The New York Times, a mere 3.54% of new adult fiction published in America was in translation. This is a great loss for American readers; as Sontag said of her own childhood reading experiences in her acceptance speech for the Friedenspreis in 2003: “To have access to literature, world literature, was to escape the prison of national vanity, of philistinism, of compulsory provincialism, of inane schooling, of imperfect destinies and bad luck. Literature was the passport to enter a larger life; that is, the zone of freedom… Literature was freedom. Especially in a time in which the values of reading and inwardness are so strenuously challenged, literature is freedom.”

Now, more than ever, it is crucial for young people in America to find ways to embrace foreign cultures, languages, political sensibilities, aesthetic notions, and tastes.

The ultimate goal of the Susan Sontag Prize for Translation is to foster a new generation of literary translators, strengthen these young writers’ curiosity in voices beyond their own borders and hone their talents in bringing those new voices home for Americans to hear, thereby changing the landscape of literary fiction in this country.

SUSAN SONTAG

Susan Sontag was born in New York City on January 16, 1933, grew up in Tucson, Arizona, and attended high school in Los Angeles. She received her B.A. from the College of the University of Chicago and did graduate work in philosophy, literature, and theology at Harvard University and Saint Anne’s College, Oxford.

Her books, all published by Farrar, Straus & Giroux, include four novels, The Benefactor, Death Kit, The Volcano Lover, and In America; a collection of short stories, I, etcetera; several plays, including Alice in Bed and Lady from the Sea; and nine works of nonfiction, starting with Against Interpretation and including On Photography, Illness as Metaphor, Where the Stress Falls, Regarding the Pain of Others, and At the Same Time. In 1982, FSG published A Susan Sontag Reader.

Ms. Sontag wrote and directed four feature-length films: Duet for Cannibals (1969) and Brother Carl (1971), both in Sweden; Promised Lands (1974), made in Israel during the war of October 1973; and Unguided Tour (1983), from her short story of the same name, made in Italy. Her play Alice in Bed has had productions in the United States, Mexico, Germany, and Holland. Another play, Lady from the Sea, has been produced in Italy, France, Switzerland, Germany, and Korea.

Ms. Sontag also directed plays in the United States and Europe, including a staging of Beckett’s Waiting for Godot in the summer of 1993 in besieged Sarajevo, where she spent much of the time between early 1993 and 1996 and was made an honorary citizen of the city.

A human rights activist for more than two decades, Ms. Sontag served from 1987 to 1989 as president of the American Center of PEN, the international writers’ organization dedicated to freedom of expression and the advancement of literature, from which platform she led a number of campaigns on behalf of persecuted and imprisoned writers.

Her stories and essays appeared in newspapers, magazines, and literary publications all over the world, including The New York Times, The New Yorker, The New York Review of Books, The Times Literary Supplement, Art in America, Antaeus, Parnassus, The Threepenny Review, The Nation, and Granta. Her books have been translated into thirty-two languages.

Among Ms. Sontag’s many honors are the 2003 Peace Prize of the German Book Trade, the 2003 Prince of Asturias Prize, the 2001 Jerusalem Prize, the National Book Award for In America (2000), and the National Book Critics Circle Award for On Photography (1978). In 1992 she received the Malaparte Prize in Italy, and in 1999 she was named a Commandeur de l’Ordre des Arts et des Lettres by the French government (she had been named an Officier in the same order in 1984). Between 1990 and 1995 she was a MacArthur Fellow.

Ms. Sontag died in New York City on December 28, 2004.

SUSAN SONTAG Film Series

In the Framework of:

TRANSLATION AS A SYSTEM OF LITERARY CIRCULATION
Conference for the Susan Sontag Award

Duet for Cannibals (1969)
Duración: 105 minutos

Duet for Cannibals is a story about psychological, sexual and emotional canibalism. The film tells a tale of two couples involved in academia and politics. Artur Bauer is a university professor living in exile in Sweden with his enigmatic wife Francesca. He hires young Tomas, ostensibly to help arrange his papers for publication. After leaving his mistress to live with the couple and take the position, Tomas quickly discovers that things are not quite right with the dysfunctional pair. The late New York Times critic Vincent Canby described Duet as “intriguing, surprising, witty and sinister to the end.”

Brother Carl (1971)
Duración: 97 minutos

Brother Carl  is about human relations: it features an odd quartet of characters whose efforts to communicate are thwarted by blatantly self-destructive impulses. Two women, Karen and Lena, visit a Swedish island resort where Lena’s ex-husband Martin lives in comparative seclusion with a mentally disturbed dancer named Carl. Martin has become Carl’s caretaker as well as his nemesis, since Carl seems to blame him for his crackup. Lena is a vibrant young woman who selflessly offers her life first to the brooding Karen, then Martin, and finally to Carl.

Promised Lands (1974)
Duración: 87 minutos

Promised Lands, Susan Sontag’s third film, was shot in Israel during the final days and the immediate aftermath of the 1973 Yom Kippur War. In this photographic essay, Sontag meditates on the current (1974) situation of the country and its people as well as her feelings about Israel and its future. Despite its personal nature, the film is largely understood as a documentary.

Unguided Tour (1983)
Duración: 71 minutos

Unguided Tour, Susan Sontag’s fourth and final film, was based on her short story of the same title. Also known as “Letter from Venice,” the film features Lucinda Childs and Claudio Cassinelli and tells of a relationship that is fragmenting as they tour the decaying ruins of a hallucinatory Venice.

El público podrá diseñar su “Noche de los Museos”, trasladándose gratuitamente en las líneas de colectivos 29 y 64, que llegan al barrio de La Boca. Presentando el pase libre que se distribuirá junto a la folletería del evento o se obtendrá gratuitamente ingresando al sitio web: www.lanochedelosmuseos.gov.ar

Si usted visita la Fundación Proa podrá disfrutar de:

Exhibiciones

• “El tiempo del Arte. Obras maestras del Siglo XVI al XXI”, Propone en más de 100 obras, un recorrido por cinco siglos de imágenes trascendentales de la historia del arte. Curada por Giacinto Di Pietrantonio la muestra cuenta con el patrimonio destacado de la Accademia Carrara y la GAMEC, Galeria de Arte Moderna y Contemporánea de Bergamo.

• “Lindero”: 6 artistas jóvenes presentan una propuesta creativa y audaz donde toman el espacio de la Fundación para generar nuevas formas modificando la arquitectura del lugar.
  Artistas: María Inés Drangosch, Daniel Joglar, Ismael Pinkler, Fernanda Laguna, Mariela Scafati y Marcela Sinclair. Curada por Ana Gallardo

• El Departamento de Educación de Fundación Proa ofrecerá una propuesta especial de actividades. Se organizarán grupos de hasta 30 personas que, junto a educadores especialmente capacitados, podrán recorrer el conjunto de obras cumbres del siglo XVI al XXI que integran la exhibición “El tiempo del arte”. Como novedad, se pone a disposición de todo el público una actividad que articula las exhibiciones de Proa, el Museo Quinquela Martín e Imágenes del Louvre.

• Auditorio de la Fundación, el artista Antoní Muntadas lanzará su película “On Translation: Miedo/Jauf” a las 19.00hs. Luego del film el artista debatirá con el público sobre su trabajo y firmará ejemplares de sus libros Con/Texto I y II.

• Café Proa: estará abierto durante la noche con un menú especialmente creado por Los Petersen. Hasta las 12 de la noche se podrá contemplar la belleza del puente de La Boca desde la terraza de la Fundación.

• La Librería Proa también funcionará hasta las 12 de la noche y ofrecerá al público todas las publicaciones y novedades existentes.

Además de Fundación Proa, el circuito del barrio de La Boca incluye 14 espacios para visitar:

•    Museo Puente Trasbordador Nicolás Avellaneda
•    Museo de Bellas Artes Benito Quinquela Martín
•    Museo Bomberos voluntarios de La Boca
•    Museo de la Pasión Boquense
•    Museo Casa Taller Celia Chevalier
•    Museo Conventillo Marjan Grum
•    Ateneo Popular de La Boca
•    Museo Conventillo Histórico El Rincón de Lucía
•    Museo de Bellas Artes al aire libre Caminito
•    Espacio Fotográfico del Teatro de la Ribera
•    Museo de Calcos y Escultura comparada Ernesto de la Cárcova
•    Casal de Catalunya de Buenos Aires
•    Maguncia Museo del Papel, Grabado y Estampa

Puede obtener más información y el programa completo, ingresando a www.lanochedelosmuseos.gov.ar