May Exhibitions:
The Universe of Futurism. 1909 - 1936
Contemporary Space: Buenos Aires. Zinny/Maidagan

Tuesday 1	Students and teachers with credential: Free
	Auditorium:The Futurist Adventure. 77′
17:00	Guided visit for public in general
.	.
Wednesday 2	Auditorium:The Futurist Adventure. 77′
17:00	Guided visit for public in general
.	.
Thursday 3	Auditorium:The Futurist Adventure. 77′
17:00	Guided visit for public in general
.	.
Friday 4	Auditorium:The Futurist Adventure. 77′
16:00	Study visit: The Universe of Futurism. 1909 - 1936
17:00	Guided visit for public in general
.	.
Saturday 5	Auditorium:The Futurist Adventure. 77′
15:00	Guided visit for public in general
17:00	Artists + Critics: Luis Felipe Noé - Mercedes Casanegra
Sunday 6	Auditorium:The Futurist Adventure. 77′
11:30 hs.	Futurist Puppet Workshop. Family activity
15:00 hs.	Guided visit for public in general
17:00 hs.	Guided visit for public in general
.	.
Lunes 7	Closed
.	.
Tuesday 8	Students and teachers with credential: Free
	Auditorium:The Futurist Adventure. 77′
17:00	Guided visit for public in general
.	.
Wednesday 9	Auditorium:The Futurist Adventure. 77′
17:00	Guided visit for public in general
.	.
Thursday 10	Auditorium:The Futurist Adventure. 77′
17:00	Guided visit for public in general
.	.
Friday 11	Auditorium:The Futurist Adventure. 77′
16:00	Study visit: The Universe of Futurism. 1909 - 1936
17:00	Guided visit for public in general
.	.
Saturday 12	Auditorium:The Futurist Adventure. 77′
15:00	Guided visit for public in general
17:00	Artists + Critics: Juan Carlos Romero - Alberto Guidici
.	.
Sunday 13	Auditorium:The Futurist Adventure. 77′
11:30	Futurist Puppet Workshop. Family activity
15:00	Guided visit for public in general
17:00	Guided visit for public in general
.	.
Lunes 14	Closed
.	.
Tuesday 15	Students and teachers with credential: Free
.	Auditorium:The Futurist Adventure. 77′
17:00	Guided visit for public in general
.	.
Wednesday 16	Auditorium:The Futurist Adventure. 77′
17:00	Guided visit for public in general
.	.
Thursday 17	Auditorium:The Futurist Adventure. 77′
17:00	Guided visit for public in general
.	.
Friday 18	Auditorium:The Futurist Adventure. 77′
16:00	Study visit: The Universe of Futurism. 1909 - 1936
17:00	Guided visit for public in general
19:00	Library. Tomás Espina’s book presentation
.	.
Saturday 19	Auditorium:The Futurist Adventure. 77′
15:00	Guided visit for public in general
17:00	Artists + Critics: María Juana Heras Velasco - María Teresa Constantin
.	.
Sunday 20	Auditorium:The Futurist Adventure. 77′
11:30	Futurist Puppet Workshop. Family activity
15:00	Guided visit for public in general
17:00	Guided visit for public in general
	.
Lunes 21	Closed
.	.
Tuesday 22	Students and teachers with credential: Free
.	Auditorium:The Futurist Adventure. 77′
17:00	Guided visit for public in general
.	.
Wednesday 23	Auditorium:The Futurist Adventure. 77′
17:00	Guided visit for public in general
.	.
Thursday 24	The Universe of Futurism International Colloquium
.	.
Friday 25	The Universe of Futurism International Colloquium
	ArteBA. PROA’s Press Room
.	.
Saturday 26	Auditorium:The Futurist Adventure. 77′
15:00	Guided visit for public in general
17:00	Guided visit for public in general
	ArteBA. PROA’s Press Room
.	.
Sunday 27	Auditorium:The Futurist Adventure. 77′
11:30	Futurist Puppet Workshop. Family activity
15:00	Guided visit for public in general
17:00	Guided visit for public in general
	ArteBA. PROA’s Press Room
.	.
Lunes 28	Closed
	ArteBA. PROA’s Press Room
	.
Tuesday 29	Students and teachers with credential: Free
.	Auditorium:The Futurist Adventure. 77′
17:00	Guided visit for public in general
	ArteBA. PROA’s Press Room
.	.
Wednesday 30	Auditorium:The Futurist Adventure. 77′
17:00	Guided visit for public in general
.	.
Thursday 1/7	Auditorium:The Futurist Adventure. 77′
17:00	Guided visit for public in general
Friday 2/7	Auditorium:The Futurist Adventure. 77′
16:00	Study visit: The Universe of Futurism. 1909 - 1936
17:00	Guided visit for public in general
Saturday 3/7	Last weekend. The Universe of Futurism. 1909 - 1936
	Auditorium:The Futurist Adventure. 77′
15:00	Guided visit for public in general
17:00	Guided visit for public in general
Sunday 4/7	Last weekend. The Universe of Futurism. 1909 - 1936
	Auditorium:The Futurist Adventure. 77′
15:00	Guided visit for public in general
17:00	Guided visit for public in general

]]> http://proa.org/eng/news/2010/06/day-by-day-activities-june-2010/feed/ http://proa.org/eng/news/2010/05/sergio-avello-1964-2010/ http://proa.org/eng/news/2010/05/sergio-avello-1964-2010/#comments Wed, 26 May 2010 22:34:38 +0000 proa08 http://proa.org/eng/news/?p=738

Fundación Proa bids farewell with great sadness to one of its founders, collaborator and great artist, SERGIO AVELLO, who passed away on may, 24th.

Sergio was with us since Fundación Proa’s beginning. He was a great co-worker and brought intelligence and sensitivity to all our initiatives.

His work was immense and of great value; it left an unmistakable trace in several spaces along our city as well as in the landscapes of our country. We remember him warmly and grieve his absence, feeling grateful for all he has left us.

-

His friends and co-workers invite all to honor him this Thursday May 27th at 18.00hs at Malba’ s esplanade. A picture of all of those present will be taken by his work “Volumen” to remember the artist.
Malba: Av. Figueroa Alcorta 3415. Buenos Aires.

We also invite you to keep posting images of Sergio at our Facebook Wall >>

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Sergio Avello was born in Mar del Plata in 1964. As an Argentinean artist, he was related to abstraction and with a remarkable usage of light and color in his work.
He participated in the Kuitca fellowship (1998), and obtained financing from the Fondo Nacional de las Artes (2000), and Fundación Antorchas (2003). During the 80’s he made several exhibitions in discotheques and in non-traditional spaces of Buenos Aires. He performed his first individual exhibit, “Arte decorativo argentino: nuevo exponente” (“Argentinean decorative art: new exponent”) in Adriana Rosenberg’s gallery, Buenos Aires (1989). Some of his most highlighted exhibitions are: “Avello y sus amigos” (“Avello and friends”), Centro Cultural Rojas (1992), “S/T”, Fondo Nacional de las Artes (2003), “Semana” (“Week”) (2003) and “In Situ” (2006), both in Dabbah-Torrejón Gallery, and “Zig-zag de espejo. Paisaje en caleidoscopio. Reflejo de sí mismo” (“Mirror Zig-zag. Landscape in kaleidoscope. Reflection of itself”) (2006), land art, Palo Pintado, Valles Calchaquíes, Salta, Argentina, ((( VOLUMEN ))), in the esplanade of MALBA (2007), “11 Olas digitales” (“11 Digital Waves”), in REDGALERIA (2007). Some of the various collective exhibitions in which he participated are “Vértigo”, Fundación Proa, Buenos Aires (1997), “Transliminares” (1999) and “Sortilegio” (2001), both in the Fondo Nacional de las Artes, “Erased Borders”, Contemporary Art, Miami, Florida, Estados Unidos (2002), Museo Castagnino (with the artist Juan José Cambre), Rosario, Argentina (2003), “Cromofagia”, Centro Cultural Borges, Buenos Aires (2003), “Iluminaciones”, Contemporáneo 17, Malba-Colección Costantini, Buenos Aires (2006). He was part of the Argentinean shipment to the Biennial of Mercosur, Porto Alegre, Brasil (2003). He obtained the Chandon Prize in Arte BA (2004).
He died on 24 May 2010 in Buenos Aires.

Sergio Avello’s official website >>

Saturday 29th May, 5.00 pm

Renowned Artists + Critics from the local art scene, give the audience a creative and thorough analysis of the The Universe of Futurism. 1909-1936 exhibition.
Coordinator: Mercedes Pérez Bergliaffa

May
Saturday 8 - 5.00 pm
Diana B . Wechsler + Alejandro Puente
Saturday 15 - 5.00 pm
Laura Batkis + Luis Fernando Benedit
Saturday 22 - 5.00 pm 
Rodrigo Alonso + Daniel Merle
Saturday 29 - 5.00 pm
Daniel Molina

Daniel Molina is a writer and art critic. Bachelor in Literature (UBA, Honor Diploma). His research is focused on new trends in art, literature and daily life. Director of the Literature Department of Centro Cultural Rojas since 1986. Professor of Argentinean Literature and Contemporary Art. Was cultural editor for magazines including: “El Porteño, “Crisis” and “Fin de Siglo” and writes on a regular bases for important news media publications.

info@proa.org
More information >>

Saturday 22th May, 5.00 pm

Renowned Artists + Critics from the local art scene, give the audience a creative and thorough analysis of the The Universe of Futurism. 1909-1936 exhibition.
Coordinator: Mercedes Pérez Bergliaffa

May
Saturday 8 - 5.00 pm
Diana B . Wechsler + Alejandro Puente
Saturday 15 - 5.00 pm
Laura Batkis + Luis Fernando Benedit
Saturday 22 - 5.00 pm 
Rodrigo Alonso + Daniel Merle
Saturday 29 - 5.00 pm
Daniel Molina

Rodrigo Alonso has a Bachelor in Art (UBA), specialized in contemporary and new media art. Professor at UNTREF, USAL, IUNA, professor and member of the Consulting Committee of the Masters program and a cultural practices of Art and New Media Practices, MECAD, Barcelona. Invited as guest professor by important American and European universities, conferences and round tables. Co-director for the Taller de Arte Interactivo at Espacio Fundación Telefónica. Recent exhibitions: “Nuestra Hospitalidad”, Espai d’Art Contemporani, “Resplandores. Poéticas analógicas y digitales”, Centro Cultural Recoleta, “Tensiones públicas. Utopías domésticas”, Centro Cultural Marcelo Patiño, “Telefonías”,  Fundación Telefónica, “El futuro ya no es lo que era”, Espacio Fundación OSDE. Writer, critic and collaborator in several books, art magazines and exhibtion catalogues. His publications include: Muntadas. Con/Textos, Ansia y Devoción, Jaime Davidovich. Video Works. 1970-2000 y No sabe/No contesta. Prácticas fotográficas contemporáneas desde América Latina.

Daniel Merle has a Fine Arts degree and worked as a graphic reporter for the Reuters agency, La Nacion newspaper and The New York Times. Chief Photography editor for Clarin´s VIVA magazine and cultural suplements, and for La Nación´s newspaper Sunday Magazine. Renowned photojournalist professor for TEA School of Photojournalism. Exhibited his work in Ruth Benzacar Gallery, Buenos Aires; International Colloquium of Photo-Graphic; Centro Cultural Recoleta; Photogallery, Teatro San Martin; Alianza Francesa; and recently at the Centro Cultural Borges.

info@proa.org
More information >>

At an event on May 5 at the Sívori Museum, the Secretary of Inclusion and Human Rights of the city of Buenos Aires awarded distinguished cultural institutions and businesses as INCLUSIVE SPACES.

The award was received by Proa’s representative Victoria Dotti. The official body declared that, “Fundación Proa is prepared to recieve people with physical mobile disability through ramps, doors with sufficient width for the passage of wheelchairs, non-slip floors, adapted bathroom facilities, and main access without stairs.” Moreover, the Secretary assessed that, “the furniture of the building does not present obstacles for people with visual disability and the lighting is homogeneous.”

The awarded institutions can display a stamp that identifies them as INCLUSIVE SPACES and will be part of the first edition of the GUIDE OF ACCESSIBLE TOURISM, where could be consulted the places with facilities for the disabled.

It is an honor for Fundación Proa to contribute with the development of a more inclusive city by fulfilling the internationally established measures for facilitating the access of all people to the cultural spaces of Buenos Aires.

The goal to design inclusive spaces was presented in the project by  arquitects Caruso-Torricella as one of the fundamental variables in the design of the contemporary public space.

Read the Guide of Accessible Tourism (in Spanish) >>

The 5th edition of the festival Latin Wave was launched between April 29 and May 2, and presented distinguished independent films from Latin America that had not yet been officially released in the United States.

The goal of Latin Wave is to spread the extraordinary creativity and notable depth with which the artists relate the problems of Latin America. The festival is directed by Monika Wagenberg, a distinguished promoter of the cinema on our continent.

It was planned from the very beginning to have representative filmmakers available for discussion with the audience after the screenings. Latin Wave grew with each edition and is currently considered one of the most distinguished festivals in Houston and an absolute must-see for the local cultural comunity. A regular public from the diverse comunities that live in the city is present each year in order to meet in person with the protagonists of Latin American cinema.

The 5th edition presents:
Turistas, 2009, Chile, 105´. Dir. Alicia Scherson
El vuelco del cangrejo, 2009, Colombia, 95´. Dir. Oscar Ruíz Navia
Alamar, 2009, Mexico, 73´. Dir. Pedro González-Rubio
Gigante, 2009, Uruguay/Argentina, 84´. Dir. Adrián Biniez
Viajo porque preciso, volto porque te amo, 2009, Brasil, 75´. Dir. Karim Ainouz y Marcelo Gomes
Historias Extraordinarias, 2008, Argentina, 245´. Dir. Mariano Llinás
Contracorriente, 2009, Perú/Colombia, 100´. Dir. Javier Fuentes-León
Jean Charles, 2009, Brasil/Reino Unido, 93´. Dir. Henrique Goldman

Among the filmmakers that talked to the audience were Pedro González-Rubio, director of the award-winning film Alamar; Oscar Ruíz Navia, director of El vuelco del cangrejo; Javier Fuentes-León, director of Contracorriente; y Mariano Llinás, who moved the audience that appreciated his four-hour film Historias Extraordinarias.

The launching of Latin Wave and its opening summoned more than two thousand young people who attneded the inauguration party in the halls of The Museum of Fine Arts, Houston.

Monika Wagenberg said, “This year´s edition of Latin Wave presents a large number of operas primas by first-time filmmakers, something that has become a tradition of the festival. All the films have competed at the most prestigious international festivals, many with great success.”

Latin Wave is part of the cultural programs that Fundación Proa develops abroad, sponsored by Tenaris y Ternium.

More information >>

Leandro Katz. # S (Project for the day you´ll love me), 1995

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Fundación Proa invited the artist Leandro Katz to present twelve photographs from the series Project for the day you´ll love me (1995) reproduced in the book The Ghosts of Ñancahuazú (2010). Painting, photography and artist’s book conversate in these two projects. The book was presented on May 8 at Proa’s Auditorium, with the presence of Leandro Katz, Eduardo Grüner and Mariano Mestman. The artist also showed his film The day you´ll love me (1997), a documentary video included in the book’s edition.

The main subject of The Ghosts of Ñancahuazú -Leandro Katz’s last book- is Freddy Alborta´s photographs on Ernesto Che Guevara´s corpse, after his assassination in Bolivia in 1967.

The Ghosts… includes a series of texts analyzing the impact of photography on contemporary Latin American history, written by John Berger, Jean Franco, Jeffrey Skoller, Eduardo Grüner and Mariano Mestman. It also contains the award-winning documentary essay The Day You’ll Love Me (1997), a film that reflects on death and the power of the image, taking as its starting point the picture taken of Che Guevara as he laid dead surrounded by his captors.

The Ghosts of Ñancahuazú (2010)
Ed. La Lengua Viperina
300 pgs. / English and Spanish texts
ISBN 9789872458119

Available for purchase at Fundación Proa’s library:
libreria@proa.org / +54 11 4104-1005
http://proa.org/eng/library.php

Leandro Katz is an Argentine artist, writer, and filmmaker. His works include long-term projects that deal with Latin American subjects, and incorporate historical research, anthropology, and visual arts. He has produced eighteen books and artists’ books, and seventeen narrative and non-narrative films. His documentary essay El Día Que Me Quieras (1997) received the Coral Prize at the Latin American Film Festival, Havana, among others.
He has lived in New York from 1965 until 2006, where he conducted creative and academic activities. He currently lives and works in Buenos  Aires.

Saturday 15th May, 5.00 pm

Renowned Artists + Critics from the local art scene, give the audience a creative and thorough analysis of the The Universe of Futurism. 1909-1936 exhibition.
Coordinator: Mercedes Pérez Bergliaffa

May
Saturday 8 - 5.00 pm
Diana B . Wechsler + Alejandro Puente
Saturday 15 - 5.00 pm
Laura Batkis + Luis Fernando Benedit
Saturday 22 - 5.00 pm 
Rodrigo Alonso + Daniel Merle
Saturday 29 - 5.00 pm
Daniel Molina

Laura Batkis has a Bachelor degree in Art History (UBA) and is specialized in contemporary art. Professor at UBA, Centro Cultural Rojas, MALBA, and since 2008 has coordinated the Visual Arts program for the Centro Cultural Recoleta. Curates numerous exhibitions such as: 1st South African Biennale; Clorindo Testa exhibition in the Cabildo de Córdoba and in the Museo Nacional de Bellas Artes exhibtions for Julio Le Parc and Eduardo Rodríguez for the Centro Cultural San Martín. Member of the Asociación Argentina e Internacional de Críticos de Arte and has publications in: Perfil, Tres Puntos and Art Nexos. Currently writing for Lapiz, Arte al Dia and La Mano. She has been recognized by the MNBA for the journalistic work.

Luis Fernando Benedit (1937, Buenos Aires) is an artist and architect. His work  is positioned during the Informalist movement and experimental art. His early work, between 1959 and 1962, is focused in painting as a method of expression. His solo exhibitions include: (2000) “Fitotron II” Ruth Benzacar and Centro Cultural Recoleta; (1996) Retrospectiva, MNBA; (2000) “Heterotopias” Medio siglo sin lugar: 1918-1968. Museo Nacional Centro de Arte Reina Sofía, Madrid, Spain; Venice Biennale, Italy; (1998) “Tierra Incógnita”, Centro Cultural Banco Do Brasil, Río de Janeiro Brazil; “The Garden of Forking Paths, Contemporary Artists from Latin America”, Kunstforeningen, Copenhagen, Denmark; Edsvik konst & Kultur, Stokolm, Sweden y Helsinki City Art Museum, Finland;  (1992) “Artistas Latinoamericanos del Siglo XX”, Museum of Modern Art, Seville, Spain, a traveling exhibition: Estación Plaza de Armas, Sevilla; Hotel des Arts (Fondation Nationales des Arts), Paris; Centre Georges Pompidou, Paris; Kunsthalle Cologne, Cologne, Germany and MOMA, The Museum of Modern Art, New York.

info@proa.org
More information >>

Saturday, May 8th, 6.00 pm
Auditorium - Fundación Proa. Free entrance

The artist, writer and filmmaker Leandro Katz presents his latest book, The Ghosts of Ñancahuazú, a collection of images, installations and texts by artists and writers that interchange ideas about Freddy Alborta´s photographs on Ernesto Che Guevara´s corpse, after his assassination in Bolivia in 1967.

A screening of Leandro Katz´s award-winning documentary essay The Day You’ll Love Me (1997), will be held during the presentation. The film reflects on death and the power of the image, taking as its starting point the picture taken of Che Guevara as he laid dead surrounded by his captors.

The author will dialogue with sociologist and essayist Eduardo Grüner and researcher Mariano Mestman, authors of the texts included in the publication, along with the commentaries by John Berger, Jean Franco and Jeffrey Skoller

The book´s title refers to the name of the guerrilla group led by Che Guevara in Bolivia, yet Katz main focus refers to “the ghost of the dead guerrillero”.

In addition to the texts analyzing the impact of photography on contemporary Latin American history, The Ghosts of Ñancahuazú presents the The Day You’ll Love Me DVD, reproductions of Katz´s works and installations, and never before seen images by Freddy Alborta, the famous Bolivian photographer that captured Guevara´s death with his lens.

The Ghosts of Ñancahuazú (2010)
Ed. La Lengua Viperina
300 pgs. / English and Spanish texts
ISBN 9789872458119

Available for purchase at Fundación Proa’s library:
libreria@proa.org / +54 11 4104-1005
http://proa.org/eng/library.php

May Exhibitions:

The Universe of Futurism. 1909 - 1936
Contemporary Space: Buenos Aires. Zinny/Maidagan

Saturday 1	Closed
.	.
Sunday 2	Auditorium: Documentary videos The Futurist Adventure. Duration: 77′, from 11:00 to 19:00 hs.
15:00 hs.	Guided visit for public in general
17:00 hs.	Guided visit for public in general
.	.
Monday 3	Closed
.	.
Tuesday 4	Free for students and teachers with credential
	Auditorium: Documentary videos The Futurist Adventure. Duration: 77′, from 11:00 to 19:00 hs.
17:00	Guided visit for public in general
.	.
Wednesday 5	Auditorium: Documentary videos The Futurist Adventure. Duration: 77′, from 11:00 to 19:00 hs.
17:00	Guided visit for public in general
.	.
Thursday 6	Auditorium: Documentary videos The Futurist Adventure. Duration: 77′, from 11:00 to 19:00 hs.
17:00	Guided visit for public in general
.	.
Friday 7	Auditorium: Documentary videos The Futurist Adventure. Duration: 77′, from 11:00 to 19:00 hs.
16:00	Visita de estudio: The Universe of Futurism. 1909 - 1936
17:00	Guided visit for public in general
.	.
Saturday 8	Auditorium: Documentary videos The Futurist Adventure. Duration: 77′, from 11:00 to 19:00 hs.
15:00	Guided visit for public in general
17:00	Artists + Critics. Guided visits with specialists: Diana Wechsler + Alejandro Puente
18:00	Auditorium: Book Presentation “The Ghosts of Ñancahuazú” by Leandro Katz. Conversations with Eduardo Grüner, Leandro Katz and Mariano Mestman. Screening of the documentary film “The Day You’ll Love Me”
.	.
Sunday 9	Auditorium: Documentary videos The Futurist Adventurea. Duración: 77 min., en forma continua de 11:00 a 17:00 hs.
15:00	Guided visit for public in general
17:00	Auditorium: Futurist Cinema: Come Cretinetti paga i debiti (1910, A.Deed) / Come fu che l’ingordigia rovino il natale di Cretinetti (1910, A.Deed) / Amor Pedestre (1914, M.Fabre) / Das Stahltier (1935, W.O.Zielke) / L’Uomo Meccanico (1921, A.Deed)
17:00	Guided visit for public in general
.	.
Monday 10	Closed
.	.
Tuesday 11	Free for students and teachers with credential
.	Auditorium: Documentary videos The Futurist Adventure. Duration: 77′, from 11:00 to 19:00 hs.
17:00	Guided visit for public in general
.	.
Wednesday 12	Auditorium: Documentary videos The Futurist Adventure. Duration: 77′, from 11:00 to 19:00 hs.
17:00	Guided visit for public in general
.	.
Thursday 13	Auditorium: Documentary videos The Futurist Adventure. Duration: 77′, from 11:00 to 19:00 hs.
17:00	Guided visit for public in general
.	.
Friday 14	Auditorium: Documentary videos The Futurist Adventure. Duration: 77′, from 11:00 to 19:00 hs.
16:00	Visita de estudio: The Universe of Futurism. 1909 - 1936
17:00	Guided visit for public in general
.	.
Saturday 15	Auditorium: Documentary videos The Futurist Adventure. Duration: 77′, from 11:00 to 19:00 hs.
15:00	Guided visit for public in general
17:00	Artists + Critics. Guided visits with specialists: Laura Batkis + Luis Fernando Benedit
.	.
Sunday 16	.
11:00 a 19:00	Auditorium: Documentary videos The Futurist Adventure. Duración: 77 min., en forma continua de 11:00 a 17:00 hs.
15:00	Guided visit for public in general
17:00	Auditorium: Futurist Cinema: Pacific 231 (1949, J.Mitry) / Velocità (1930, T.Cordero, G.Martina, P.Oriani) / L’Uomo Meccanico (1921, A.Deed)
17:00	Guided visit for public in general
.	.
Monday 17	Closed
.	.
Tuesday 18	Free for students and teachers with credential
.	Auditorium: Documentary videos The Futurist Adventure. Duration: 77′, from 11:00 to 19:00 hs.
17:00	Guided visit for public in general
.	.
Wednesday 19	Auditorium: Documentary videosThe Futurist Adventure. Duration: 77′, from 11:00 to 19:00 hs.
17:00	Guided visit for public in general
.	.
Thursday 20	Auditorium: Documentary videos The Futurist Adventure. Duration: 77′, from 11:00 to 19:00 hs.
17:00	Guided visit for public in general
.	.
Friday 21	Auditorium: Documentary videos The Futurist Adventurea. Duration: 77′, from 11:00 to 19:00 hs.
16:00	Visita de estudio: The Universe of Futurism. 1909 - 1936
17:00	Guided visit for public in general
.	.
Saturday 22	Auditorium: Documentary videos The Futurist Adventure. Duration: 77′, from 11:00 to 19:00 hs.
15:00	Guided visit for public in general
17:00	Artists + Critics. Guided visits with specialists: Rodrigo Alonso + Daniel Merle
.	.
Sunday 23	Auditorium: Documentary videos The Futurist Adventure. Duration: 77′, from 11:00 to 19:00 hs.
15:00	Guided visit for public in general
17:00	Auditorium: Futurist Cinema: Ballet mécanique (1929, F.Léger y D.Murphy) / Jeux des reflets et de la vitesse (1923, H.Chomette) / Thaïs (1916, A.G.Bragaglia)
17:00	Guided visit for public in general
.	.
Monday 24	Free for students and teachers with credential
	Auditorium: Documentary videos The Futurist Adventure. Duration: 77′, from 11:00 to 19:00 hs.
17:00	Guided visit for public in general
.	.
Tuesday 25	Free for students and teachers with credential
.	Auditorium: Documentary videosThe Futurist Adventure. Duration: 77′, from 11:00 to 19:00 hs.
17:00	Guided visit for public in general
.	.
Wednesday 26	Auditorium: Documentary videos The Futurist Adventure. Duration: 77′, from 11:00 to 19:00 hs.
17:00	Guided visit for public in general
.	.
Thursday 27	Auditorium: Documentary videos The Futurist Adventure. Duration: 77′, from 11:00 to 19:00 hs.
17:00	Guided visit for public in general
.	.
Friday 28	.
.	Auditorium: Documentary videos The Futurist Adventure. Duration: 77′, from 11:00 to 19:00 hs.
16:00	Visita de estudio: The Universe of Futurism. 1909 - 1936
17:00	Guided visit for public in general
.	.
Saturday 29	Auditorium: Documentary videos The Futurist Adventure. Duration: 77′, from 11:00 to 19:00 hs.
15:00	Guided visit for public in general
17:00	Artists + Critics. Guided visits with specialists: Alberto Giudici + Horacio Zabala
.	.
Sunday 30	.
11:00 a 19:00	Auditorium: Documentary videos The Futurist Adventure. Duration: 77′, from 11:00 to 19:00 hs.
15:00	Guided visit for public in general
17:00	Auditorium: Futurist Cinema:Come Cretinetti paga i debiti (1910, A.Deed) / Come fu che l’ingordigia rovino il natale di Cretinetti (1910, A.Deed) / Amor Pedestre (1914, M.Fabre) / Das Stahltier (1935, W.O.Zielke) / L’Uomo Meccanico (1921, A.Deed)
17:00	Guided visit for public in general
.	.
Monday 31	Closed

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