Supported by Tenaris- Organización Techint.

This weekend, Proa presents the first part of its activities at the auditorium in the last weeks of Marcel Duchamp´s exhibition with a program of cinema selected by Rodrigo Alonso.

This activities are supported by Organización Techint.

Variations about Duchamp

PROGRAM 1
16:00 - 18:55 hs
Admission $10

Beautiness of Precision
Optical experimentations (65 min)

Presentation, by Rodrigo Alonso
Anémic Cinéma, by Marcel Duchamp (1926) / 7 min.
Rythmus 21, by Hans Richter
(1921) / 3 min.
Ballet Mecanique, by Fernand Léger (1924) / 19 min.
Symphonie Diagonale, by Viking Eggeling (1924) / 5 min.
Emar Bakia, by Man Ray
(1926)/ 18 min.
Skycraper Symphonie, by Robert Florey (1929) / 9 min.

Interval: 15 minutes

Between Dadá & Surrealismo
Between París & Nueva York (65 min)
Entr’acte, by René Clair
(1924) / 22 min.
La caracola y el clérigo, by Germanine Dulac (1928) / 28 min.
Meshes of the Afternoon, by Maya Deren (1943) / 14 min.

PROGRAM 2
19:30 - 22:00 hs
Admission $10

Contemporary views 1st. part (48 min)

Presentation, by Rodrigo Alonso

I’d give it to you if I could but I borrowed it, by Guy Ben-Ner (2007) / 12 min.
The last videotapes of Marcel Duchamp, by John Sanborn (1976) / 32 min.
Dadascope (fragmento), by Hans Richter (1961) / 4 min.

Interval: 15 minutes

Contemporary views 2nd. part (56 min)

Marcel Duchamp & John Cage, by
Shigeko Kubota (1972) / 29 min.
Buenos Aires no existe, by Andrés
Denegri (2007) / 27 min.