This painting was, as sources indicate, the insignia of the barber Oletta, represented together with a clerk and a laborer in a sort of snapshot of society in the first half of the 18th century, oscillating between the latest manifestations of the constrained Rococo and the early Lombard proto-illuminism, in turn related with realist painting. For the care of each other, of the appearance, of the smallest practices linked to life in society, with the appreciation of the person in his placidity, the insignia remits to the activities and rituals associated with daily life.