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	<title>Fundación Proa - Auditorium &#187; Literature</title>
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	<description>Contemporary arts center of La Boca, Buenos Aires. Exhibitions, concerts, cinema, library, auditorium, restaurant and news of art world.</description>
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		<title>Proa Cine: &#8220;Patience (After Sebald)&#8221;, a film by Grant Gee. Last screenings</title>
		<link>http://proa.org/eng/events/2012/05/proa-cine-patience-after-sebald-a-film-by-grant-gee-last-screenings/</link>
		<comments>http://proa.org/eng/events/2012/05/proa-cine-patience-after-sebald-a-film-by-grant-gee-last-screenings/#comments</comments>
		<pubDate>Fri, 04 May 2012 15:36:36 +0000</pubDate>
		<dc:creator><![CDATA[]]></dc:creator>
				<category><![CDATA[Films]]></category>
		<category><![CDATA[BAFICI]]></category>
		<category><![CDATA[Cinema]]></category>
		<category><![CDATA[Grant Gee]]></category>
		<category><![CDATA[Literature]]></category>
		<category><![CDATA[Patience (After Sebald)]]></category>
		<category><![CDATA[Proa Cine]]></category>
		<category><![CDATA[W.G. Sebald]]></category>

		<guid isPermaLink="false">http://proa.org/eng/events/?p=662</guid>
		<description><![CDATA[April 20 &#38; 21 &#8211; 6 PM. Q&#38;A with the director Grant Gee 28 &#8211; 6 PM. Screening May 5, 12 &#38; 19 &#8211; 6PM. Screening For more information and reservations, please contact auditorio@proa.org / +54 11 4104-1001 Press: Download Press kit in English (pdf) Ariel Magnus. Página 12 / Radar. 15.04.2012 Alejandro Lingenti. La [&#8230;]]]></description>
				<content:encoded><![CDATA[<p style="text-align: justify;"><strong>April<br />
20 &amp; 21 &#8211; 6 PM. </strong>Q&amp;A with the director Grant Gee<br />
<strong>28 &#8211; 6 PM. </strong>Screening<br />
<strong>May<br />
5, 12 &amp; 19 &#8211; 6PM.</strong> Screening</p>
<p style="text-align: justify;"><strong>For more information and reservations, please contact</strong> <strong><a href="mailto:auditorio@proa.org" target="_blank">auditorio@proa.org</a> / +54 11 4104-1001</strong></p>
<p style="text-align: justify;"><span style="text-decoration: underline;">Press:</span></p>
<p style="text-align: justify;"><a href="http://proa.org/online/pdf_943_eng.pdf" target="_blank"><img class="alignnone size-full wp-image-3066" title="pdf2" src="http://proa.org/esp/events/wp-content/uploads/2012/04/pdf2.gif" alt="" width="32" height="31" /></a><a href="http://proa.org/online/pdf_943_eng.pdf" target="_blank">Download Press kit in English (pdf)</a></p>
<p style="text-align: justify;">Ariel Magnus. <a href="http://www.pagina12.com.ar/diario/suplementos/radar/9-7861-2012-04-15.html" target="_blank">Página 12 / Radar</a>. 15.04.2012<br />
Alejandro Lingenti. <a href="http://www.lanacion.com.ar/1466820-la-camara-que-traduce-el-arte" target="_blank">La Nación</a>. 21.04.2012<br />
Federico Lisica. <a href="http://www.pagina12.com.ar/diario/suplementos/espectaculos/5-24976-2012-04-21.html" target="_blank">Página 12</a>. 21.04.2012<br />
Juan Pablo Russo. <a href="http://www.escribiendocine.com/criticas/requiem-para-saturno" target="_blank">Escribiendo Cine</a>. April 2012<br />
Quintín. <a href="http://www.perfil.com/ediciones/2012/5/edicion_674/contenidos/noticia_0029.html" target="_blank">Perfil / Cultura</a>. 07.05.2012</p>
<p style="text-align: justify;"><a href="http://proa.org/esp/events/wp-content/uploads/2012/04/569_sebald3.jpg"><img class="alignnone size-full wp-image-3037" title="569_sebald3" src="http://proa.org/esp/events/wp-content/uploads/2012/04/569_sebald3.jpg" alt="" width="569" height="320" /></a></p>
<p class="MsoNormal" style="text-align: justify;"><strong>Patience (After Sebald)</strong><br />
United Kingdom, 2011, 82 minutes<br />
Filmed and Directed by <strong>Grant Gee</strong><br />
Edited by<span style="font-weight: bold;"> Jerry Chater, Grant Gee<br />
</span>Produced by<span style="font-weight: bold;"> </span><span style="font-weight: bold;">Gareth Evans, Di Robson, Sarah Caddy<br />
</span></p>
<p class="MsoNormal" style="text-align: justify;">Featuring <strong>Tacita Dean / William Firebrace / Dan Gretton  / Barbara Hui  / Arthur Lubow / Robert Macfarlane  / Christopher MacLehose  / Jeremy Millar / Katie Mitchell  / Rick Moody / Andrew Motion / Chris Petit / Adam Phillips  / Iain Sinclair / Bill Swainson / Lise Patt /  Marina Warner / Christopher Woodward</strong></p>
<p style="text-align: justify;"><a href="http://www.pagina12.com.ar/diario/suplementos/espectaculos/5-24976-2012-04-21.html" target="_blank"></a></p>
<p style="text-align: justify;"><object classid="clsid:d27cdb6e-ae6d-11cf-96b8-444553540000" width="569" height="319" codebase="http://download.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=6,0,40,0"><param name="allowFullScreen" value="true" /><param name="allowscriptaccess" value="always" /><param name="src" value="http://www.youtube.com/v/uu2cAz2f0Ww?version=3&amp;hl=es_ES" /><embed type="application/x-shockwave-flash" width="569" height="319" src="http://www.youtube.com/v/uu2cAz2f0Ww?version=3&amp;hl=es_ES" allowscriptaccess="always" allowfullscreen="true"></embed></object></p>
<p style="text-align: justify;"><strong>Synopsis<br />
</strong>A richly textured essay film on landscape, art, history, life and loss, <strong>Patience (After Sebald</strong>) offers a unique exploration of the work of internationally acclaimed writer W.G. Max Sebald (1944 – 2001) via a walk through East Anglia tracking his most  influential book, <strong>The Rings of Saturn</strong>.<br />
The much anticipated new feature by  the Grierson Award-winning Director of <strong>Joy Division</strong>, <strong>Patience&#8230;</strong> is the first film about Sebald internationally, marking ten years since the writer’s untimely death, and with contributions from major writers, artists and film-makers.</p>
<p style="text-align: justify;"><a href="http://proa.org/esp/events/wp-content/uploads/2012/04/569_sebald21.jpg"><img class="alignnone size-full wp-image-3052" title="569_sebald21" src="http://proa.org/esp/events/wp-content/uploads/2012/04/569_sebald21.jpg" alt="" width="569" height="320" /></a></p>
<p style="text-align: justify;"><strong>Notes towards a film. By Grant Gee</strong><br />
W.G. Sebald has, in the ten years since his sudden death in a car crash (14.12.2001), begun to exert an almost uncanny influence over contemporary art and writing. He&#8217;s become one of those rarest of writers: the adjectival author, in the shortest possible time. ‘Sebaldian’ has entered the language. I wanted to find out why this is, and trace his influence through the zeitgeist.</p>
<p style="text-align: justify;">Both my previous major long-form works – Radiohead’s <strong>Meeting People Is Easy</strong> and <strong>Joy Division</strong> – as well as the recent short film <strong>The Western Lands</strong>, examined iconic contemporary artists in the context of the landscapes they inhabited, respectively the ‘non-places’ of international touring, the post-industrial wreckage of late 1970s Manchester and the lethal cliff faces of the Orkney Islands. These artists could not be understood fully without an understanding of the landscapes and locations they occupied. The dialogue between personality and place is thus central to my own artistic investigations.</p>
<p style="text-align: justify;">Rarely has the idea and importance of place been more prominent in culture and thought than it is at the moment. There are many reasons for this, not least the effect of globalization, with its spread of ‘sameness’ and the subsequent alienation and lack of belonging people feel. As things are erased, so they become even more significant.</p>
<p style="text-align: justify;">This destruction of ‘place&#8217; is a kind of catastrophe in our imaginative lives. It doesn’t have to take the form of explicit environmental or topographic change. Perhaps even more pernicious is the long-term psychological effect. Sebald’s body of work is profoundly aware of this and offers the richest statement I have come across about the importance of attention to place and the histories it holds and has made.</p>
<p style="text-align: justify;">Properly to honour the associative nature of the book and the themes discussed, the ‘essay film’, a ‘genre’ employed to great effect by the likes of Chris Marker, Harun Farocki, Patrick Keiller and Chris Petit, seems a very helpful and productive means to explore such material. Such a form allows for multiple tones and textures, essential when considering Sebald and place. It is also a personal form, not governed by pre-ordained structures and templates. I am extremely glad to have had the opportunity to work with this approach, and hope in a small way to have done justice, on film, to the remarkable work of this most important and influential writer.</p>
<p style="text-align: justify;"><a href="http://proa.org/esp/events/wp-content/uploads/2012/04/grantgee.jpeg"><img class="alignleft size-full wp-image-3005" style="margin-left: 2px; margin-right: 2px;" title="grantgee" src="http://proa.org/esp/events/wp-content/uploads/2012/04/grantgee.jpeg" alt="" width="216" height="288" /></a><strong>Biography</strong></p>
<p style="text-align: justify;">Grant Gee is a prolific cinematographer and film-maker, best known for directing definitive studies of music and musicians. He has been Grammy-nominated twice, for <strong>Meeting People Is Easy</strong> – about Radiohead &#8211; in 2000 and <strong>Demon Days</strong> – about Gorillaz &#8211; in 2006.<br />
His recent feature length work J<strong>oy Division</strong> premiered at the 2007 Toronto International Film Festival in 2007 and won the Sound and Vision award for ‘Best Music Film 2007’ at the CPH:DOX festival in Copenhagen, and the Audience Awards for Best Film at the Gdansk film festival 2008 and ‘In-Edit’ festival in Barcelona 2008. It also won the prestigious Grierson Award 2008 for Best Cinema Documentary.<br />
He also films and directs short, artists’ moving image works including <strong>City Symphony</strong>, <strong>400 Anarchists</strong> and <strong>Mr. Fred Zentner’s</strong>. These have been shown internationally by the British Council, onedotzero and others. The most recent, <strong>The Western Lands</strong>, about climber and writer Jim Perrin’s climb of The Old Man of Hoy won best short film awards at the Banff and Vancouver film festivals.<br />
He also shot, edited and made motion graphics for the acclaimed feature documentary Scott Walker: 30 Century Man, for director Stephen Kijak in 2006.<br />
Gee was born in 1964 in Plymouth. He studied Geography at the Universities of Oxford and Illinois. He has worked in film / video since 1990. He lives in Brighton with his wife and son.</p>
<p style="text-align: justify;">-</p>
<p style="text-align: justify;"><span style="text-decoration: underline;">With the support of Tenaris &#8211; Organización Techint</span></p>
]]></content:encoded>
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		<title>2012: Colloquiums, cinema, music, theatre and literature in the Auditorium</title>
		<link>http://proa.org/eng/events/2012/01/643/</link>
		<comments>http://proa.org/eng/events/2012/01/643/#comments</comments>
		<pubDate>Fri, 06 Jan 2012 23:13:45 +0000</pubDate>
		<dc:creator><![CDATA[]]></dc:creator>
				<category><![CDATA[Events]]></category>
		<category><![CDATA[Films]]></category>
		<category><![CDATA[2012]]></category>
		<category><![CDATA[Colloquium]]></category>
		<category><![CDATA[Contemporary Music]]></category>
		<category><![CDATA[FNPI]]></category>
		<category><![CDATA[Journalism]]></category>
		<category><![CDATA[Literature]]></category>
		<category><![CDATA[Presentations]]></category>
		<category><![CDATA[Proa Cinema]]></category>
		<category><![CDATA[PROA TV]]></category>
		<category><![CDATA[Theatre]]></category>

		<guid isPermaLink="false">http://proa.org/eng/events/?p=643</guid>
		<description><![CDATA[COLLOQUIUMS Scenes from the 80s. The early years Proa launches Scenes from the 80s. The early years, a catalog including texts by curator Ana María Battistozzi and scholars Roberto Amigo and Lucas Fragasso. Along with the book presentation, a series of conferences and seminars will be organized in order to contribute with the study on [&#8230;]]]></description>
				<content:encoded><![CDATA[<p style="text-align: justify;"><span style="color: #ff6633;"><strong>COLLOQUIUMS</strong></span><br />
<a href="http://proa.org/esp/events/wp-content/uploads/2012/01/175-escenas.jpg"><img class="alignleft size-full wp-image-2755" title="175-escenas" src="http://proa.org/esp/events/wp-content/uploads/2012/01/175-escenas.jpg" alt="" width="175" height="116" /></a><strong>Scenes from the 80s. The early years</strong><br />
Proa launches <a href="http://proa.org/eng/news-nota.php?id=304" target="_blank">Scenes from the 80s. The early years</a>, a catalog including texts by curator Ana María Battistozzi and scholars Roberto Amigo and Lucas Fragasso. Along with the book presentation, a series of conferences and seminars will be organized in order to contribute with the study on a key period of art scene in Buenos Aires.</p>
<p style="text-align: justify;"><a href="http://proa.org/esp/events/wp-content/uploads/2012/01/175-pop2.jpg"><img class="alignleft size-full wp-image-2757" title="175-pop2" src="http://proa.org/esp/events/wp-content/uploads/2012/01/175-pop2.jpg" alt="" width="175" height="116" /></a><strong>Pop, Realisms and Politics. Brazil &#8211; Argentina</strong><br />
Coordinators: Paulo Herkenhoff y Rodrigo Alonso<br />
International scholars will present their latest developments in their research on the cultural relationship between both countries during the 60s and the 70s, a central topic in the history of Latin American art.</p>
<p style="text-align: justify;"><a href="http://proa.org/esp/events/wp-content/uploads/2012/01/175-cage.jpg"><img class="alignleft size-full wp-image-2759" title="175-cage" src="http://proa.org/esp/events/wp-content/uploads/2012/01/175-cage.jpg" alt="" width="175" height="116" /></a><strong>John Cage. 100 Years</strong><br />
Coordinator: Martín Bauer<br />
In the centenary of his birth, Proa organizes special events, conferences and presentations coordinated by Martín Bauer. A unique tribute to the artist, composer and essayist John Cage, a central figure in 20th Century music.</p>
<p style="text-align: justify;"><a href="http://proa.org/esp/events/wp-content/uploads/2012/01/175-giacometti.jpg"><img class="alignleft size-full wp-image-2762" title="175-giacometti" src="http://proa.org/esp/events/wp-content/uploads/2012/01/175-giacometti.jpg" alt="" width="175" height="116" /></a><strong>Alberto Giacometti</strong><br />
Coordinator: Véronique Wiesinger<br />
The most relevant scholars and specialists on Giacometti’s work will present their recent researchs in dialogue with local experts. A necessary meeting within the framework of a unique exhibition to be presented at Proa on October 2012.</p>
<p style="text-align: justify;"><span style="color: #ff6633;"><strong>CINEMA</strong></span><a href="http://proa.org/esp/events/wp-content/uploads/2012/01/175-cine.jpg"><br />
<img class="alignleft size-full wp-image-2765" title="175-cine" src="http://proa.org/esp/events/wp-content/uploads/2012/01/175-cine.jpg" alt="" width="175" height="116" /></a>February / December<strong><br />
Guest programmers</strong><br />
Two relevant Argentine filmmakers are in charge of 2012 cinema program. Each Saturday, they present the films, reflecting and discussing the works selected.<span style="color: #ffffff;"><br />
.</span></p>
<p style="text-align: justify;">
<p style="text-align: justify;"><a href="http://proa.org/esp/events/wp-content/uploads/2012/01/175-bafici2.jpg"><img class="alignleft size-full wp-image-2767" title="175-bafici2" src="http://proa.org/esp/events/wp-content/uploads/2012/01/175-bafici2.jpg" alt="" width="175" height="116" /></a>April<br />
<strong>BAFICI – XIV Edition</strong><br />
Proa hosts the Buenos Aires International Independent Film Festival, one of the most significant cultural events in the city, with screenings and dialogues with international filmmakers.<br />
<span style="color: #ffffff;">.</span></p>
<p style="text-align: justify;"><strong><span style="color: #ff6633;">THEATRE</span><br />
</strong><a href="http://proa.org/esp/events/wp-content/uploads/2012/01/175-teatro.jpg"><img class="alignleft size-full wp-image-2770" title="175-teatro" src="http://proa.org/esp/events/wp-content/uploads/2012/01/175-teatro.jpg" alt="" width="175" height="116" /></a><strong>Compañía de Funciones Patrióticas</strong><br />
The theater company directed by actor and playwright Martín Seijo presents new productions, always with a unique performance during holidays or national days. As in 2010 and 2011, the company updates and adapts texts of the Argentine repertoire, discussing the national values, political traditions and economic history of the country.</p>
<p style="text-align: justify;"><span style="color: #ff6633;"><strong>MUSIC</strong></span><br />
<a href="http://proa.org/esp/events/wp-content/uploads/2012/01/175-musica.jpg"><img class="alignleft size-full wp-image-2776" title="175-musica" src="http://proa.org/esp/events/wp-content/uploads/2012/01/175-musica.jpg" alt="" width="175" height="116" /></a>November<br />
<strong>Contemporary Music Concerts &#8211; 16th Edition (Teatro San Martín)<br />
</strong>A new season of the prestigious festival directed by Martín Bauer will be hosted at Proa. Renowned international musicians present their works in the Auditorium.<br />
<strong>John Cage. 100 Years</strong></p>
<p style="text-align: justify;"><span style="color: #ff6633;"><strong>LITERATURE</strong></span><br />
<a href="http://proa.org/esp/events/wp-content/uploads/2012/01/175-filba.jpg"><img class="alignleft size-full wp-image-2781" title="175-filba" src="http://proa.org/esp/events/wp-content/uploads/2012/01/175-filba.jpg" alt="" width="175" height="116" /></a>September<br />
<strong>International Festival of Literature of Buenos Aires<br />
</strong>In this edition, Proa invites one of the most personal and compelling voices of contemporary literature in Latin America.<br />
<span style="color: #ffffff;">.<br />
</span><span style="color: #ffffff;">.</span></p>
<p style="text-align: justify;"><a href="http://proa.org/esp/events/wp-content/uploads/2012/01/175-fnpi.jpg"><img class="alignleft size-full wp-image-2783" title="175-fnpi" src="http://proa.org/esp/events/wp-content/uploads/2012/01/175-fnpi.jpg" alt="" width="175" height="116" /></a><strong>FNPI + Proa</strong><br />
For over ten years, Proa co-organizes cultural journalism workshops with the Ibero-American New Journalism Foundation (FNPI), inviting the most relevant writers and journalists from the region.<br />
<span style="color: #ffffff;">.</span></p>
<p style="text-align: justify;"><span style="color: #ff6633;"><strong>PROA TV</strong></span><br />
<a href="http://proa.org/esp/events/wp-content/uploads/2012/01/175-proatv.jpg"><img class="alignleft size-full wp-image-2786" title="175-proatv" src="http://proa.org/esp/events/wp-content/uploads/2012/01/175-proatv.jpg" alt="" width="175" height="116" /></a>Proa’s official YouTube channel presents exclusive contents such as guided visits by the curators, interviews and audiovisual documentation.<a href="http://youtube.com/proawebtv" target="_blank"><br />
youtube.com/proawebtv</a></p>
<p style="text-align: justify;"><span style="color: #ffffff;">.<br />
</span><span style="color: #ffffff;">.</span></p>
<p style="text-align: justify;">
<p style="text-align: justify;"><strong>More information:</strong><br />
<a href="http://proa.org/documents/Temporada2012_eng.pdf" target="_blank"> 2012 Complete Program (PDF)</a><br />
<a href="http://proa.org/eng/news-nota.php?id=346" target="_blank">2012 Exhibitions</a></p>
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