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	<title>Fundación Proa - Auditorium &#187; International Colloquium The Universe of Futurism</title>
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		<title>International Colloquium The Universe of Futurism: Day 1</title>
		<link>http://proa.org/eng/events/2010/06/382/</link>
		<comments>http://proa.org/eng/events/2010/06/382/#comments</comments>
		<pubDate>Thu, 24 Jun 2010 15:42:11 +0000</pubDate>
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				<category><![CDATA[Events]]></category>
		<category><![CDATA[International Colloquium The Universe of Futurism]]></category>
		<category><![CDATA[The Universe of Futurism. 1909 - 1936]]></category>

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		<description><![CDATA[The International Colloquium begins with 57 participants and the presence of both international and local researchers and scholars such as Giovanni Lista, Juan Manuel Bonet and Jorge Schwartz. The aim of the Colloquium is to debate and reflect on the influence of Futurism, its contemporary vision and examine this movement from our reality. This event [&#8230;]]]></description>
				<content:encoded><![CDATA[<div class="entry">
<p><a href="http://proa.org/esp/events/wp-content/uploads/2010/06/coloquio_lista.jpg"></a></p>
<p><a href="http://proa.org/eng/events/wp-content/uploads/2010/06/coloquio_lista-367x206.jpg"><img class="alignnone size-medium wp-image-388" title="coloquio_lista-367x206" src="http://proa.org/eng/events/wp-content/uploads/2010/06/coloquio_lista-367x206.jpg" alt="" width="367" height="206" /></a></p>
<p>The International Colloquium begins with 57 participants and the presence of both international and local researchers and scholars such as Giovanni Lista, Juan Manuel Bonet and Jorge Schwartz.</p>
<p>The aim of the Colloquium is to debate and reflect on the influence of Futurism, its contemporary vision and examine this movement from our reality.</p>
<p><a href="http://proa.org/esp/events/wp-content/uploads/2010/06/coloquio_bonet.jpg"></a></p>
<p>This event takes place on Thursday 24th and Friday 25th of June 2010 with the following program:</p>
<p><strong>Rodrigo Alonso. </strong>&#8220;La utopía tecnológica del futurismo&#8221;<br />
<strong>Pablo Gianera. </strong>&#8220;La conquista del ruido&#8221;<br />
<strong>Juan Manuel Bonet. </strong>“Ramón Gómez de la Serna, Guillermo de Torre, Ernesto Giménez Caballero: tres españoles y Marinetti”<br />
<strong>Giovanni Lista. </strong>“Ideas, temas y desarrollo del futurismo italiano”<br />
<strong>Gonzalo Aguilar. </strong>“Maquinarias, marconigramas y otros cachivaches jadeantes: el futurismo en Latinoamérica”<br />
<strong>Cecilia Rabossi. </strong>&#8220;Filippo T. Marinetti en Argentina”<br />
<strong>Jorge Schwartz. </strong>“Marinetti en el Brasil, 1926”</p>
<p><a href="http://proa.org/eng/events/2010/06/international-colloquium-the-universe-of-futurism/" target="_self">More information &gt;&gt;</a></p>
<p><span style="text-decoration: underline;"><em>The International Colloquium The Universe of Futurism is supported by the Italian Cultural Institute in Buenos Aires, the CCEBA, and is produced and organized by Fundación Proa</em></span></div>
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		<title>International Colloquium The Universe of Futurism</title>
		<link>http://proa.org/eng/events/2010/06/international-colloquium-the-universe-of-futurism/</link>
		<comments>http://proa.org/eng/events/2010/06/international-colloquium-the-universe-of-futurism/#comments</comments>
		<pubDate>Tue, 01 Jun 2010 22:34:29 +0000</pubDate>
		<dc:creator><![CDATA[]]></dc:creator>
				<category><![CDATA[Events]]></category>
		<category><![CDATA[International Colloquium The Universe of Futurism]]></category>
		<category><![CDATA[The Universe of Futurism. 1909 - 1936]]></category>

		<guid isPermaLink="false">http://proa.org/eng/events/?p=369</guid>
		<description><![CDATA[GIOVANNI LISTA &#8211; JUAN MANUEL BONET &#8211; JORGE SCHWARTZ &#8211; GONZALO AGUILAR &#8211; RODRIGO ALONSO &#8211; SERGIO BAUR &#8211; PABLO GIANERA &#8211; CECILIA RABOSSI June 24 and 25th, 2010. From 11 AM to 6 PM All participants will receive a certificate of attendance. The deadline for submission is June 14, 2010: For the submission process, [&#8230;]]]></description>
				<content:encoded><![CDATA[<div class="entry">
<p style="text-align: left;"><strong>GIOVANNI LISTA &#8211; JUAN MANUEL BONET &#8211;  JORGE SCHWARTZ &#8211; GONZALO AGUILAR &#8211; RODRIGO ALONSO &#8211; SERGIO BAUR &#8211; PABLO  GIANERA &#8211; CECILIA  RABOSSI</strong></p>
<p><strong>June 24 and 25th, 2010. From 11 AM to 6 PM</strong><br />
All participants will receive a certificate of attendance.</p>
<p style="text-align: justify;" align="left"><strong>The deadline for submission is June 14, 2010</strong><strong>: </strong>For the submission process, candidates will be asked to <a href="../../../../proa23/Futurismo/Formulario_de_inscripcion_Coloquio_Internacional_El_Universo_Futurista_Fundacion_Proa_ENG.doc" target="_blank">download the form</a>. It should be completed and sent  to <a href="mailto:coloquio@proa.org">coloquio@proa.org</a></p>
<p style="text-align: justify;" align="left"><a href="#Registration and Guidelines">Registration and Guidelines</a><a href="#The Speakers"><br />
The Speakers</a></p>
<p style="text-align: justify;">The <strong>International Colloquium The  Universe of Futurism</strong>, organized within the frame of the  exhibition <strong>The Universe of Futurism. 1909-1936</strong>, invites  noted researchers and futurist scholars, continuing with all activities  developed throughout the exhibition. The Colloquium will be held on  Thursday 24th and Friday 25th of June 2010 in Fundación Proa’s  Auditorium from 11 AM to 6 PM. Participants are required to attend the  entire colloquium and will receive a certificate of attendance.</p>
<p style="text-align: justify;">The Colloquium will expand on several  topics: the revision of Futurism through new investigations; in depth  analysis of interdisciplinary characteristics; study of its  international reach, and will invigorate the discussions on the  intrinsic problematic of modern and contemporary art. Furthermore, there  will be an emphasis on the presence of Futurism in the South American  artistic field and Filippo Tommaso Marinetti’s visits during the 20s and  30s.</p>
<p style="text-align: justify;"><strong><span style="color: #ff6633;">International Speakers</span><br />
Giovanni Lista</strong>, researcher and curator specialized on  Futurism, will dictate a contemporary and fresh panorama of Futurism and  its interdisciplinary character.<strong><br />
Juan Manuel Bonet</strong>, renowned researcher and curator,  will give an overview on the internationalization of the movement  throughout Europe.<strong><br />
Jorge Schwartz</strong>, a reference on the contemporary  revision of the Latin American avant-guards, will offer a solid overview  of Futurism in Latin America and Marinetti’s visit to Brazil.<strong><br />
</strong></p>
<p style="text-align: justify;"><strong>Gonzalo  Aguilar, Rodrigo Alonso, Pablo Gianera, Sergio  Baur</strong> and <strong>Cecilia Rabossi</strong>,  coordinator of the event, will participate in conjunction with the  speakers. They will present a historical overview of Buenos Aires, its  fervent cultural life and Marinetti’s visits during the 20s and 30s.</p>
<p style="text-align: justify;"><span style="text-decoration: underline;"><em>The International Colloquium The  Universe of Futurism is supported by the Italian Cultural Institute in  Buenos Aires, the CCEBA, and is produced and organized by Fundación  Proa</em><a id="a" name="Registration and guidelines"> </a></span></p>
<p style="text-align: left;"><span style="color: #ff6633;"><a id="a" name="Registration and guidelines"><strong>Registration and Guidelines</strong></a></span></p>
<p>The Colloquium is intended for  specialists, teachers and advanced students. It will offer  Spanish-Italian simultaneous translation.<br />
Limited capacity. Candidates should submit their objectives and written  intention for participation, and are required to attend the entire  colloquium.<br />
For the submission process, candidates will be asked to <a href="../../../../proa23/Futurismo/Formulario_de_inscripcion_Coloquio_Internacional_El_Universo_Futurista_Fundacion_Proa_ENG.doc" target="_blank">download the form</a>. It should be completed and sent  to <a href="mailto:coloquio@proa.org">coloquio@proa.org</a></p>
<p><strong>The deadline for submission is June 14,  2010.</strong><br />
Acceptance will be informed via e-mail until June 18th.<br />
Participants are required to attend the entire colloquium. All  participants will receive a certificate of attendance.</p>
<p style="text-align: left;"><a id="a" name="The Speakers"> </a></p>
<p style="text-align: left;"><span style="color: #ff6633;"><a id="a" name="The Speakers"><strong>The Speakers</strong></a></span></p>
<p><a href="http://proa.org/esp/events/wp-content/uploads/2010/06/lista.jpg"><img class="size-medium wp-image-754 alignleft" title="lista" src="http://proa.org/esp/events/wp-content/uploads/2010/06/lista.jpg" alt="" width="140" height="180" align="left" /></a><strong>Giovanni Lista</strong><br />
Lives in Paris since 1969, where he works as Director of the  Investigation Department of Social Sciences in the CNRS (National Center  of Scientific Investigations). Author of many publications, especially  within the visual art field, theatre, and the cultural work of the  historical avant guards of the first half of the twentieth century. In  2009, celebrating one hundred years of Futurism, he organized the  renowned exhibition “Futurismo 1909-2009: Velocitá+Arte+Azione” in the  Palazzo Reale, Milan.<br />
Since 1988, he directs the Ligeia, expedientes sur l’art magazine and  collaborated with the organization of important international  exhibitions in Paris, Milan, Rome, Monaco, Tokyo, Dortmund, London,  Madrid, New York, among others.</p>
<p><a href="http://proa.org/esp/events/wp-content/uploads/2010/06/bonet.jpg"><img class="alignleft size-medium wp-image-755" title="bonet" src="http://proa.org/esp/events/wp-content/uploads/2010/06/bonet.jpg" alt="" width="140" height="180" align="left" /></a><strong>Juan Manuel Bonet</strong><br />
Writer and art critic, Bonet was born in Paris in 1953. He directed IVAN  and The National Museum Art Center Reina Sofía. He works as a  consultant for the European contemporary painting collection of the  Fundación Bencaja. Curated several exhibitions, such as “El surrealismo  entre Viejo y Nuevo Mundo”, “El objeto surrealista en España”, “El poeta  como artista”, “España años 50″ and “Los indalianos. Una aventura  almeriense”, among others. Published Diccionario de las vanguardias en  España (1907-1936), important scholarly articles on Juan Gris and  Gerardo Rueda, several poetry books, and La ronda de los días. Author of  several critical book editions on Ramón Gómez de la Serna, Rafael  Cansinos-Asséns, Rafael Lasso de la Vega, Saulo Torón, Salvador Dalí,  Max Aub, Carlos Baylín Solanas and Manolo Millares.</p>
<p><a href="http://proa.org/eng/events/wp-content/uploads/2010/06/schwartz-2.jpg"><img class="alignleft size-medium wp-image-380" title="schwartz-2" src="http://proa.org/eng/events/wp-content/uploads/2010/06/schwartz-2-199x256.jpg" alt="" width="140" height="180" /></a><strong>Jorge Schwartz</strong><br />
Director of Museu Lasar Segall (São Paulo), head professor of Hispanic  Literature at the Universidad de São Paulo, Brazil. Author of  investigations on Oswald de Andrade, Oliverio Girondo and the Latin  American avant guards. Coordinator and producer of the book Borges no  Brasil, la Caixa modernista (São Paulo, Imprensa Oficial, 2003) and  curator of the exhibitions “De la antropofagia a Brasilia: 1920-1950″  (Instituto Valenciano de Arte Moderno, 1998, and FAAP-São Paulo, 2000),  “Xul/Brasil: imaginários em diálogo” (São Paulo: Pinacoteca do Estado,  2005), “Horacio Coppola: visões de Buenos Aires” (Río de Janeiro,  Instituto Moreira Salles, 2007), “Horacio Coppola: fotografía” (Madrid,  Fundación Telefónica, 2008) and “Os sonhos de Grete Stern:  fotomontagens” (São Paulo, Museu Lasar Segall, 2009), among others.</p>
<p><a href="http://proa.org/esp/news/wp-content/uploads/2010/06/aguilar.jpg"><img class="size-medium wp-image-2212 alignleft" title="aguilar" src="/online/notas/Aguilar-2(1).jpg" alt="" align="left" /></a><strong>Gonzalo Aguilar</strong><br />
Is professor of Brazilian Literature at the University of Buenos Aires. Author of La poesía concreta: las vanguardias en la encrucijada modernista (2003), translated to portuguese, Otros mundos (Un ensayo sobre el nuevo cine argentino) (2006) and Episodios cosmopolitas en la cultura argentina (2009). He was a guest professor at San Pablo University, Stanford and Harvard. In 2005 he received the Guggenheim Scholarship. Currently works as researcher for the National Council of Scientific and Technical Investigations in Buenos Aires (CONICET).</p>
<p><a href="http://proa.org/esp/news/wp-content/uploads/2010/06/alonso.jpg"><img class="alignleft size-medium wp-image-2213" title="alonso" src="http://proa.org/esp/news/wp-content/uploads/2010/06/alonso.jpg" alt="" width="140" height="180" align="left" /></a><strong>Rodrigo Alonso</strong><br />
Has a Bachelor in Arts from the University of Buenos Aires, specialized in contemporary and new media art. Professor at UNTREF, USAL and IUNA, member of the Advisory Committee Curatorial and New Media art practices at MECAD (Barcelona). Guest professor at important Latin American and European universities. Co-director for the Interactive Art workshop at Espacio Fundación Telefónica. His recent exhibitions include: Nuestra Hospitalidad (Espai d’Art Contemporani); Resplandores. Poéticas analógicas y digitales (C.C. Recoleta); Tensiones públicas. Utopías domésticas (C.C. Marcelo Patiño); Telefonías (Fundación Telefónica), El futuro ya no es lo que era (Fundación OSDE). Writer, critic and collaborator for books, art magazines and exhibition catalogues.</p>
<p><a href="http://proa.org/esp/news/wp-content/uploads/2010/06/gianera.jpg"><img class="alignleft size-medium wp-image-2214" title="gianera" src="/online/notas/Gianera-2(1).jpg" alt="" align="left" /></a><strong>Pablo Gianera</strong><br />
Is music and literature critic. Professor at the Music Superior Conservatory Manuel de Falla. Works for the cultural magazine ADN, La Nación newspaper. Member of the Board of Directors for the Diario de Poesía. Published several articles in specialized publication in Argentina and Spain. Author of Formas Frágiles, book of musical essays to be released during the current year.</p>
<p style="text-align: justify;"><a href="http://proa.org/esp/events/wp-content/uploads/2010/06/baur.jpg"><img class="alignleft size-medium wp-image-757" title="baur" src="http://proa.org/esp/events/wp-content/uploads/2010/06/baur.jpg" alt="" width="140" height="180" align="left" /></a><strong>Sergio Baur</strong><br />
Curator of the exhibition “El Periódico Martín Fierro: En las artes y en  las letras” (MNBA, 2010). Historian, diplomat and member of the Council  of the Museo Nacional de Bellas Artes in Buenos Aires.<span style="color: #ffffff;">-</span></p>
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<p><a href="http://proa.org/esp/events/wp-content/uploads/2010/06/rabossi.jpg"><img class="alignleft size-medium wp-image-758" title="rabossi" src="http://proa.org/esp/events/wp-content/uploads/2010/06/rabossi.jpg" alt="" width="140" height="180" align="left" /></a><strong>Cecilia Rabossi</strong><br />
Bachelor of Arts from the Faculty of Philosophy and Literature  in the University of Buenos Aires (UBA). Researcher for the Institute of  Theory and History of Art “Julio E. Payro” (FFyL-UBA) and member of the  Argentinean Art Critics Association (AACA). As an independent curator,  she conducts research projects, exhibition production and curator  activities within the visual art field and for several national and  international institutions. Her research projects include “Jorge Romero  Brest y la crítica de arte en América Latina: Introducción y  descentramiento del paradigma modernista en el debate de posguerra” and  the project  “Exposiciones de arte argentino, 1960-2002. El rol del  museo y las exhibiciones en la escritura de la historia”. In 2010, she  was invited by Fundación Proa to investigate on the travels of Marinetti  to South America for “The Universe of Futurism. 1909-1936″ exhibition.</div>
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